Gaston Bachelard – 1958
Never have I gotten so much
pleasure from a book that I understood so little in a concrete sense. Gaston Bachelard was a French philosopher and
prolific writer whose other works include Water and Dreams and The
Psychoanalysis of Fire. His subjects are wide-ranging
but his unifying theme seems to have something to do with contemplating the poetic
and magical subtleties in commonplace things, elements and phenomena. The
Poetics of Space deals specifically with living spaces and their
interaction with our psychology. Bachelard is not hostile to psychology and psychiatry but feels that they
may stop short of getting to the heart of various issues that lie a bit
outside of hard science. Bachelard’s
writing is as soft and delicate as his subject matter. He hints at things rather than announces
them. He suggests ideas so fine that
they evaporate with sharp concentration. His books are not lectures but gentle, muted conversations with a friend
in your living room when it’s gotten dark out but you haven’t gotten up to go
turn on a light yet. In this book, he
ponders what impact the homes and rooms of our formative years have on our
lives, especially our dreams. Dreaming
about old dwellings is one of the most universal of human experiences, and
Bachelard believes that this is at least partially the result of absorbing the
energy of the houses that protected us from the elements, allowing us the comfort to think, read, daydream, converse and sleep. He even suggests that the literal act of dreaming while in certain areas
of a house have different consequences; the lofty feelings of suspension and
impermanence of an attic compared to the cool enclosure of the earth in a
basement, for example. Bachelard’s book
is not restricted to architecture, however; his perspective broadens with each
chapter, exploring the nature of space and spaces in many forms, from fantasies
of miniaturization to the vastness of space, and back again to the inner
soul. As I said, I was rarely sure that
I could summarize the meaning of long sections of the book, but I was never
unaware of the entrancing impact that its poetic language was having on
me. It’s a kind of book that makes you
want to take a nap on the living room floor while thinking about the physical
structure of your home and letting those thoughts steer your dreams.
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