Algernon Blackwood – 1907
Though not as famous today as Poe
or Lovecraft, Algernon Blackwood and his eerie tales of the supernatural have been a
huge influence on many horror story-tellers, from Lovecraft to Stephen King to
Guillermo del Toro. His novella The Willows is particularly admired as a
masterpiece of the genre. It tells the
story of two friends travelling down the immense Danube River in a canoe. As they get further and further from
civilization and arrive in a section of the river that borders Austria and
Hungary, one of them (the narrator) begins to sense a vague malevolence,
seemingly embodied by the perpetually swaying willow trees that line the river
banks. Flooding and intense winds drive
the boat ashore, where the pair decide to camp for a day or two until the river
calms. That night, strange noises, indistinct
apparitions and an oppressive humming sound completely envelop the men’s tent,
driving the narrator to a barely containable hysteria. At first, he believes he is alone in his
feelings of foreboding, too afraid to give voice to them, but the next day his
companion reveals that he has been acutely aware of the same menace and has
even formed a theory about its source. Deep
as they are in an untamed frontier, he believes they are at the doorstep of another
dimension, filled with ancient beings that may have once dominated the world as
pagan gods. Furthermore, he is certain,
they demand a sacrifice in order to be satiated, which will presumably be one
or both of them if they cannot escape undetected. What makes the story so effective is not only
Blackwood’s infusion of hidden horrors just beyond the trees, below the water
and in the very atmosphere, but the fact that he keeps everything
ambiguous. Something horrifying is
certainly going on, but whether it’s in spite of or because of the
susceptibility of the human mind to fear and superstition remains up for
debate.
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