Sunday, February 7, 2016

The Food of the Gods, and How it Came to Earth

H.G. Wells – 1904 – England

If one author has had the most profound influence on me throughout my life, it has to be H.G. Wells, who I started reading at 12 or 13.  Although I like a lot of science-fiction, it wasn’t imaginings of the future that I responded to in Wells; it was his darkly ironic view of humanity; a strange combination of misanthropy and hope; represented most potently in his depiction of the Eloi and the Morlocks in The Time Machine; humans evolved and devolved along two opposite paths; one gentle and beautiful but devoid of intelligence and will, and the other a race of subterranean, cannibalistic Neanderthals.  Wells was much more than a would-be prophet of fantastic contraptions that might appear in coming decades – (that’s how he’s usually portrayed; always coupled with Jules Verne); he was also a historian, a satirist, a social activist and most importantly a brilliant, poetic writer.  The most striking thing about Wells for me is the issue of perspective.  In novel after novel he forces us to question what right we have to claim superiority over any other species and what really differentiates us as human beings.  The War of the Worlds has humans reduced to livestock for an invading, technologically superior race.  The Island of Dr. Moreau presents humans as perfectly capable of being spliced with animals to create whatever freakish new beasts a mad scientist can imagine.  When the Sleeper Wakes depicts a massive revolution against an oppressive regime, only to have the new rulers prove just as corrupt as those they replaced.  Time and again, tampering and tweaking the human experiment results in horror, failure or completely unforeseen results.  Such is the case in The Food of the Gods, where two entrepreneurial scientists – Bensington and Redwood – develop a substance called Herakleophorbia that makes any life forms that consume it grow to many times their normal size.  The men have little vision about possible consequences and thoughtlessly justify any and all outcomes as destiny.  Like Dr. Moreau before them, they believe that anything science can do it should do; even though evolution and society may be radically altered overnight.  At first, “boomfood,” as it’s known in the press, causes isolated incidents of oversized ants, wasps, creeping vines and (most frighteningly) rats, but it is only as several children who are fed the food begin to mature over the years that the issue of bigness becomes a political crisis, leading to the rise in power of a demagogue who makes getting rid of the giants his pet cause.  The grown giants, meanwhile, are unable to relate to the “pigmies” scampering at their feet.  “What do you little people do with yourselves?” one asks upon seeing crowded London for the first time.  The provincial prejudice of the small humans, and their impotence against the giants, heralds the violent transition from one era to another, as the idealistic young giants imagine shaping a new world and even conquering the stars.

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