Slim
coffee-table book containing photographs by Antonia Mulas and a brief
introductory essay. Despite its title,
the book focuses exclusively on Greek art, with a bit of Pompeii thrown
in. Egypt, India, Persia and China aren’t
dealt with at all. (The concentration on
Greece is perfectly fine, but I just think the title is a little misleading.) There is nothing particularly artistic about
Mulas’ photographs, and granted the book isn’t marketed as a showcase of her
work. This is an art book, with the
ancient pieces represented as clearly and directly as possible. In surveying the work of anonymous artisans on
various walls, vases and cups – so often solid black figures on rust-colored clay
backgrounds – one is struck by the continuity of Greek art through depictions
of all areas of life; battles, religious ceremonies, athletics and sex are all
treated with equal matter-of-fact admiration.
The depictions of sensuality are not rendered in a particularly modest
nor salacious way. The book makes you
aware of the extent to which erotic art has typically been censored from
histories and curriculum for purely prudish reasons. But excising this vital element from the
Greek aesthetic sensibility only leaves a conspicuous and confusing void. The casual Greek comfort with nudity, sodomy,
polyamory, homosexuality and pederasty may seem decadent or embarrassing to
modern readers accustomed to having everything scoured and sanitized before it
reaches their eyes, but if looked at objectively, this sampling of the erotic
art of ancient Greek civilization is a fascinating snapshot of a healthy, humorous,
body-centric worldview that is worthy of emulation rather than condescension.
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