Damien Echols – 2012
This is Damien Echols’ memoir leading up to his rescue from
death row after 18 years behind bars for a murder he had nothing to do
with. He and two others were known as
the West Memphis Three, but Echols was the star because of his belligerent attitude
and Goth-tinged appearance, and he was portrayed by prosecutors and the media
as the ring-leader of a backwoods child-killing, Satan-worshipping cult. Despite the fact that zero forensic evidence
could place any of the three teenagers at the scene of the crime; the judge in
the case continually refused to re-open it, content to let them be executed,
presumably because that would finally shut them up. In his book, Echols spends a little time
discussing his thoughts on the case, but for the most part it’s a very intimate
reflection on what the brutality of our institutions can inflict on the human
spirit; and how anyone with a penchant for sensitivity, creativity or
spirituality is particularly vulnerable.
He describes incomprehensible poverty as a young child, and an early
interest in art and music, before getting to the Kafkaesque turn of events that
landed him in the cross-hairs of a witch-hunt led by bloodthirsty parole
officers and district attorneys. The
meat of the book covers Echols’ time in maximum security prison, often in
solitary confinement, where he was endlessly victimized by guards and
wardens who resented his meager fame and meted out their own little
punishments. Echols’ interest in
Buddhism and other spiritual disciplines, combined with correspondence with the
woman he eventually married, gave him the tranquility to endure. Echols is a good writer, but not a mature one
yet, and this was a collateral tragedy that struck me about his case, that he
was robbed of his entire young adulthood together with the life experience and
possibly a higher education that those years should have given him.
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